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(you make me go crazy.)All I want is you. (all I want is you!)I want you, I need you.You know that I believe you.We got it, you know it.So, if it’s real, just show it.All I want is you. (you better cross the line.)I’m gonna love you right. (yes, you could.)You’ve got all I’m looking for you’ve got personality.I know, you know, I’m gonna give more.But boy you know, I never felt this way before.So, boy wont you come?So, boy won’t you comeAnd open the door?All I want is you. x4I want you to know you could be the one for me. (all I want is you!)C’mon over, c’mon over, baby. (yes, I do.)All my friends are gonna come gonna party all night long.I know, you know, I just want us to go.The fun we’ll have fun you’ll never be alone.So boy, wont you come?We will party till the dawn.Listen to me.All I want is you. x4Hey, boy, don’t you know I’ve got something going on. 1' Album -Master Recordings From 2Pac, Eminem & More Music Legends Destroyed In 2008 Fire -Bay Area Radio Station Bans Drake's Music For Duration Of 2019 NBA Finals -Chance The Rapper Previews New Music For 'All That' Reboot -Kid Cudi Promises New Music Next Year -/ /0.008.Īrtist: Christina AguileraC’mon over, c’mon over, baby.
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Tanpamu yuni shara download on search engine - Tanpamu Yuni Shara,Tanpamu Yuni Shara,Tanpamu Yuni Shara, Filesonic Files Yuni Shara Tanpamu - MP3DownloadLagu.Com Download MP3. Tempat Download Koleksi Lagu Mp3 Populer Mp3 Populer Blogger 178 1 25 tag:,1999. Untuk melihat detail lagu dari Famous Tanpamu klik salah satu judul yang cocok, kemudian untuk link download Famous Tanpamu ada di halaman berikutnya setelah anda mengkliknya dan link downloadnya di sediakan ada beberapa yang bisa kalian pakai. It is also of interest to researchers investigating the role of music in identity formation and nation-building more widely.Download Famous Tanpamu Download Lagu Famous Tanpamu MP3 dapat kamu download secara gratis di SongsBizz. Lagu seriosa lost popularity as popular music infiltrated Indonesia in the 1970s, but it remains an iconic yet understudied aspect of the nationalistic agenda in Indonesia. The case studies of selected songs reflected continuity and change in musical style and over time. This book is of interest to scholars studying the intersection between history, politics, identity, arts and cultural studies in Indonesia. The result was the development of classical style of singing and the cultivation of a patriotic collection of music during the Guided Democracy period (1959–1965), which peaked at the height of the Konfrontasi (1963–1966). Emulating the European art song, the genre was adapted to compose songs with the purpose of promoting a strengthened collective Indonesian identity, fostered by a group of musicians who functioned as gatekeepers, monitoring and devising various mechanisms for songs to conform to the propagandistic needs of the Indonesian government at the time. Little research has been done to investigate how Indonesian music contributed to nation-building during Indonesia’s immediate post-colonial period. It also reveals the very significant role played by Radio Republik Indonesia in the genre’s development and dissemination.
The author reveals how the genre was shaped to fit state ideologies and agendas in the Sukarno and Soeharto eras. This book charts the growth of the Indonesian nationalistic musical genre of lagu seriosa in relation to the archipelago's history in the 1950s and 1960s, examining how folk songs were implemented as a valuable tool for promoting government propaganda.